
Berlin winters are cold.
It doesn’t matter how many layers you drape over yourself – hats, scarves, gloves, coats, jackets, waistcoats, tights, stockings, thermal vests, old curtains, old buckets, duvets, blankets, it doesn’t matter: the cold creeps in anyway, the cold seeps in anyway, cuts into you through that icy wet strip of flesh just under your belly.
Your bones ache with cold, your jaw aches with cold.
Your teeth throb and your gums shiver, salty and heavy, and cold, cold, cold.
Outside the wind howls like an illegitimate wolf, snarling spitefully at his mother, the moon. The window rattles. From the room next door, you hear the sound of kids screaming in their sleep.
And you hug your little boy to your chest: your gorgeous, darling little boy.
“You’re my hot-water bottle,” you tell him. “I was so poor, I couldn’t afford a hot-water bottle. That’s how poor I was, Pixie. So, I went to the hospital and got myself a little boy. A human hot-water bottle. That’s you, that is. My darling, gorgeous, precious little boy.”
And sometimes he grins that grin back at you – that drunken sailor grin, delighted, unconscious, satisfied. But sometimes he does this shivering little gasp which makes you think he’ll freeze to death one of these days – although the health visitor says he’s just learning how to breathe.
“Beauty is my child’s face.”*
Is there a more perfect sight than the face of a beloved child? Is there a more perfect feeling than stroking the softness of their skin? Is there a more perfect smell than inhaling their sweet scent as you envelope them in a tight embrace? These are some of the intoxicating wonders of motherhood. How I love to dwell on my child’s exquisite features, but no matter how long or how intently I gaze, the image is always changing. It is the nature of childhood.
* © from 'Being Mummy' by Anne‑marie Taplin, published April 2007